Journal Guide
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New Review of Film and Television Studies
The New Review of Film and Television Studies promotes current research in the humanities that makes a central contribution to film and television studies. The journal publishes research dedicated to clearly formulated, reliable methods of analysis, well posed questions examining resolvable problems, and focused deliberation on those problems. Essays on film theory (of all varieties), film narratology, and contemporary filmmaking practices are particularly welcome. The journal is driven by the belief that intellectually rigorous research in the humanities is both possible and necessary. In-depth stand-alone essays or extracts from major research projects in progress are particularly welcome. Please note: the journal does not accept papers written from a social science perspective. Book Reviews are commissioned for the New Review of Film and Television Studies by the editor. Books for review should be sent to Warren Buckland, Richard Hamilton Building, Oxford Brookes University, Headington Campus (Headington Hill), Oxford OX3 0BT, UK. Peer Review Policy:All papers in this journal have undergone editorial screening and peer review. Recent Articles: Jean Louis Schefer: screen memories from L'Homme ordinaire du cin233;ma Tom Conley Post-deconstructive realism? Nancy's cinema of contactLaura McMahon Phantom ladies: the war worker, the slacker and the 'femme fatale'Mark Jancovich Getting to Going to the ShowRobert C. Allen Film, space and place: researching a city in filmJulia Hallam Impersonal Enunciation, or the Place of Film (extracts)Christian Metz Cinema and the Two Cultures: Robert Lepage's La face cach233;e de la luneSylvie BissonnetteDisclaimer Taylor & Francis makes every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.
New Theatre Quarterly
Nordic Journal of Aesthetics
Nordic Theatre Studies
Northern Lights: Film & Media Studies Yearbook
Oase
October
At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today’s artistic, intellectual, and critical vanguard. .
Oeil
Opera
Opuscula
Opuscula Historiae Artium
Oud Holland – Journal for Art of the Low Countries
The periodical Oud Holland is the oldest surviving art-historical periodical in the world. It is entirely devoted to the visual arts in the Netherlands up to the mid-nineteenth century. Oud Holland is published four times a year. Every volume is richly illustrated, has at least 200 pages, and comes with a comprehensive printed index of names. From early 2008 with the first number of Volume 121, Brill will be the new publisher of this periodical. A subscription to Oud Holland includes access to all back volumes online.
Oxford Art Journal
PAJ: A Journal of Performance and Art
Formerly Performing Arts Journal, through volume 19, no. 3, September 1997 (E-ISSN: 1086-3281, Print ISSN: 0735-8393). Under continuous editorship since its founding in 1976, PAJ has been an influential voice in the arts for twenty-six years. Now in an updated format and design, PAJ offers extended coverage of the visual arts (such as video, installations, photography, and multimedia performance), in addition to reviews of new works in theatre, dance, film, and opera. Issues include artists' writings, essays, interviews and dialogues, historical documentation, performance texts and plays, reports on performance abroad, and book reviews.
Palestine Exploration Quarterly
Palestine Exploration Quarterly (PEQ) is the peer-reviewed journal of the Palestine Exploration Fund, which was established in 1865 as the first scholarly society dedicated to the scientific study of what was then generally known as the Holy Land. In 1869, the Fund through its Palestine Exploration Fund Quarterly Statement aimed to illuminate the Bible for its readers with scholarly information about the land of the Bible.PEQ is the Statement's successor and while it remains true to its original brief, it has greatly widened its scope. In spite of its historical title, PEQ is concerned not just with Palestine/the land of Israel, but with the wider region of the Levant - its history, archaeology (including biblical aspects), art, languages, natural and earth ethnology, geography and natural and earth sciences. Its contents include studies of pottery and other artefacts, examination and interpretation of archaeological sites, publications and studies of inscriptions and ancient texts, articles on the history of the Levant, and the publication of archives relating to the exploration of the Levant, together with reports on archaeological work supported by the Fund, and reviews of books. PEQ publishes the work of both established and rising scholars within the field.
Papers of the British School at Rome
Parabola
Paragraph: A Journal of Modern Critical Theory
Founded in 1983, Paragraph is a leading journal in modern critical theory. It publishes essays and review articles in English which explore critical theory in general and its application to literature, other arts and society. Regular special issues by guest editors highlight important themes and key figures in modern critical theory.
Parallax
Founded in 1995, parallax has established an international reputation for bringing together outstanding new work in cultural studies, critical theory and philosophy. parallax publishes themed issues that aim to provoke exploratory, interdisciplinary thinking and response. Each issue of parallax provides a forum for a wide spectrum of perspectives on a topical question or concern. parallax will be of interest to those working in cultural studies, critical theory, cultural history, philosophy, gender studies, queer theory, post-colonial theory, English and comparative literature, aesthetics, art history and visual cultures.Guest Editions:parallax regularly publishes issues compiled by guest-editors. Potential guest-editors should make an initial proposal to the editors including a title, thematic outline and suggested contributors. DisclaimerTaylor & Francis makes every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.
Performance Research
Performance Research is a specialist journal that promotes a dynamic interchange between scholarship and practice in an expanding field of performance. Interdisciplinary in vision and international in scope, its emphasis is on research in contemporary performance arts within changing cultures.Performance Research is published in English and welcomes submissions in other languages. The Editors encourage work that challenges boundaries between disciplines and media. Each issue contains articles, documents, interviews, reviews as well as illustrations and original artworks.Performance Research acknowledges support from Centre for Performance Research, University of Aberystwyth; Dartington College of Arts, Devon, UK; Institute for Digital Arts & Technology (i-DAT), University of Plymouth.Disclaimer for scientific, technical and social science publications:Taylor & Francis makes every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.